While it is in this particular realm (Classical music and Opera) that I find I am in my milieu, my ‘musical enlightenment’ (for lack of a more apt phrase) still has a soft spot for the so-called “oldies” - chart topping hits from the 50's and even up to the late 70's.
Britain’s a capella 'supergroup' The King’s Singers are a much beloved ensemble whose repertoire ranges from baroque to romantic opera, madrigals to french mélodies and chansons, oldies hits to modern pop and just about everything in between. They make a fabulous introduction into the world of Classical music and can be found quite often winning over the crowd at the The Proms during London's annual Three Choirs/City of London Festival at Royal Albert Hall with their exquisite display of tonal harmony, and impressive use of falsettos, and often humorous interpretations of legendary composers and their masterworks.
Below you will find three examples of Classical vocal stylings interspersed with some of contemporary America’s most beloved pop classics. They are:
Blackbird by The Beatles (1968):
Hallelujah by Leonard Cohen (1984):
She’s Always a Woman To Me by Billy Joel (1977):
*In this video, countertenor Robin Tyson is replaced by Timothy Wayne-Wright.
and in this video, witness the aural wonders and comic delights of The King's Singers in their element, performing the infamous overture of Gioachino Rossini’s Il Barbiere di Siviglia :
Footnotes:
READ MORE OF MY POSTS ON THE KING'S SINGERS in the King's Singers archives here.
-Rose.
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